Should historic works created during different times with different sensibilities be shelved? Should the work be altered? Can the work be done if proper context is provided? How often do you see representations of people who look like you on a regular basis? (No. Yes. Yes. Almost never.)
These were just a few of the questions asked at a Monday night forum on theater and race sparked by a recent Seattle Gilbert & Sullivan Society production of “The Mikado” that cast 40 non-Asian actors in Japanese roles. The event, “Artistic Freedom and Artistic Responsibility,” featured a panel of theater artists and was organized by the Seattle Repertory Theatre, the City of Seattle’s Office of Arts & Culture, the city’s Office for Civil Rights and King County’s cultural-services agency 4Culture. In addition to the panelists, the discussion drew in discussion from audience members who had submitted comments in advance.
Seattle Channel plans to broadcast the video. Many artists in other cities who could not attend the event watched a livestream and discussed it on Twitter with the hashtag #SeattleAFAR. Here is video from Howlround.
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I first wrote about the problematic production in a Seattle Times column four weeks ago, “The yellowface of ‘The Mikado’ in your face.” The column sparked a national debate — community groups like the JACL spoke out against the show, protesters demonstrated outside most of the shows, national outlets such as CNN, MSNBC, NPR and CBC covered it, and influential bloggers like Angry Asian Man and Reappropriate wrote about it. Read, watch and listen to all the coverage at ” ‘The Mikado,’ yellowface: All the coverage.”More