One Reel, which presents Seattle’s annual arts festival, Bumbershoot, announced Friday that it has entered into a partnership with Showbox Presents/AEG Live, promoters of music at the Showbox, KeyArena and other venues around the country. The new partnership will offer nonprofit One Reel sorely needed financial support, as the organization has suffered severe losses the past…More
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The Labor Day tradition lives on. Today is the final day of Bumbershoot 2014, and we’ve compiled our picks for rounding out your festival weekend.More
Seattle’s female-focused weekly comedy show, “The Comedy Womb,” put on one of the funniest and well-rounded shows of the day on Saturday at Bumbershoot. Led by MC and producer, Danielle K.L. Gregoire, the show featured 16 of the city’s best underground comedians each performing 3-minute sets at the Leo K….More
(For a photo gallery, click here.)
The Wu rocks it
The legendary Staten Island, N.Y. rap crew Wu-Tang Clan closed down the mainstage Saturday night with eight members — less the late, great Ol’ Dirty Bastard, and with no Method Man to be found either, but longtime “10th member” Cappadonna filling his absence.
A majority of the crowd present looked like they hadn’t even been born when the group’s debut “Enter the Wu-Tang (36 Chambers)” came out in 1993, and the audience participation (especially during classic shout-alongs like “Clan In Da Front”) sure didn’t match the amount of Wu-shirts present. But as de facto frontman/main producer RZA noted, the group fed off of any enthusiasm the crowd had to give. Though the set list stuck to the basics, it was still crazy fulfilling to see almost all of “36 Chambers,” plus solo hits like “Liquid Swords,” “Ice Cream,” “4th Chamber” and second-album smashes “Reunited” and “Triumph” performed live.
— Mike Ramos, Special to The Seattle Times
The crowd at Afghan Whigs was a little smaller then usual for the Fisher Green stage, with a much higher percentage of thirty- and forty-something’s. The band was competing with Wu-Tang Clan and Mavis Staples, which I’m sure frustrated more than a few people. Still, raw-boned hard rock (three guitarists!) delivered by 20-year veterans of the genre is hard to ignore. To counterbalance the triple guitar assault, the group made liberal use of violin, with a cello also making a brief appearance. These strings smoothed over rough sonic edges at crucial moments. Greg Dulli’s singing fell perfectly in between aggressive and melodic.
— Joseph Sutton-Holcomb, Special to The Seattle Times
Elvis is in the building
The first thing that stood out about Elvis Costello’s performance (besides the singer’s exquisite purple blazer and blue hat ensemble) was the organ player, who punctuated the spaces between Costello’s verses, giving the songs a playful, hopeful air. Somewhat surprisingly, he had only three supporting musicians (keys, bass, and drums with his guitar), but they made a lot of noise. At one point Costello put a megaphone in siren mode and pointed it at his guitar so the amp picked up the screeching sounds. He continued to conduct cheeky experiments with noise and distortion over the course of his show.
Danny Brown the pro
Detroit rapper Danny Brown had the Fisher Green stage (and its adjoining beer garden) packed despite a rather early 4:30 start time. His EDM-trap-hybrid party jams escalated things quickly from there. Rocking a Frank Zappa “Hot Rats” T-shirt to compliment his side-shaved, green-tipped, high-top fade haircut, Brown tore through selections from his acclaimed “Old” and “XXX” albums with skill and professionalism, unaffected by seemingly unfamiliar crowd’s failures to complete or repeat his hooks and punchlines. And though the large audience might’ve not known all of his songs, they couldn’t help but turn up — and turn up hard, in broad daylight — to his raunchy, electro-rap bangers like new Rustie-produced single “Attak,” “Kush Coma,” Purity Ring-featuring “25 Bucks,” and the Kanye West-quoting molly anthem “Dip.”
Big Freedia’s bounce
A renowned figure of the New Orleans bounce rap scene, Big Freedia approaches hip hop with ultra-glamorous-yet-intensely-provocative mentality often seen in drag shows. Her dancers, the lynchpin of her live performance, elevate “twerking” to an art form in a way that never seemed possible. It feels good to support progressive gender expression while shaking one’s booty.
Early in the day, the rain ruled
It started out as a soggy day in Bumbershoot Town.
One young woman standing in line next to me, under a tattered umbrella, even wondered aloud, “Is this worth it?”More
Rory Scovel walked on to the Playhouse Theatre stage looking like a disheveled youth pastor, with a scruffy beard and brown corduroy pants, but the Los Angeles-based comedian’s material was anything but squeaky clean.More
Bumbershoot 2014 is upon us! The annual mash-up of arts, comedy and music starts today at Seattle Center. We’ve put together a list of must-see acts for Day 1 enjoyment.More
In 1988, the noisy squall of grunge was well on its way to becoming the next big musical thing, with Soundgarden, Nirvana and Mudhoney all steadily building an audience in Seattle clubs and around the country.More
Bumbershoot announced its comedy lineup and it’s packed with podcast stars, locally-sourced comics and a fine selection of sketch and improv. The music and arts festival takes place Aug. 30-Sept. 1 at Seattle Center.
Stand up performers include W. Kamau Bell, Doug Benson, Ted Alexandro, Cristela Alonzo, Matt Braunger, Beth Stelling and Rory Scovel among others.
The festival will feature “Star Talk Live” with Bill Nye and Eugene Mirman, “Doug Loves Movies” with comedian Doug Benson and Paul F Tompkins’ “Dead Authors Podcast” all broadcasting live.
Seattle’s comedy scene is represented by “The Comedy Womb,” “Punchline Comedy,” “Wine Shots: Comedy’s Happiest Hour” and “Comedy On Trial.”
Sketch performers include “The Improvised Shakespeare Company,” “Seattle People Doing Sketch” and “The Early Late Show with Yogi Paliwal.”
The full lineup and schedule is available at Bumbershoot.org.More
Seattle’s comedy scene is thriving, but not where you might expect it. Many of Seattle’s fresh young comedians are working outside the realms of the traditional comedy clubs. Independently produced weekly and monthly events in bars, clubs and small theaters are where you’re most likely to find a growing group of local comedians working on new material.
One of these nights is “The Comedy Womb,” a female-focused night that takes place every Tuesday and Wednesday at 8 p.m. in the Grotto of the Rendezvous. The night, produced, booked and ran by Danielle K.L. Gregoire, provides a welcoming space for women to perform — the lineup keeps the gender balance neutral with a 50/50 split between male and female performers.
Name: Danielle K.L. Gregoire
Base of operations: Seattle, WA
How long have you been doing stand up?
I have been performing stand up since September 28, 2012. I can’t do month math, it confuses me.
What got you interested in performing comedy?
I once saw a fifteen year old boy go up on stage, do original stand-up material, and crush in a room of a thousand band camp kids when I was fourteen. I was hooked. Instead of taking it up myself then I chose to ask him out. He said yes. I spent twenty more years watching and trying to get up the nerve to do it myself.More
By Joseph Sutton-Holcomb / Special to The Seattle Times
The concept of throwing a show to advertise a much bigger show just makes for a silly time. It doesn’t matter how awesome the music is, there’s just no getting that promotional taste out of your mouth.More