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Topic: Carrie Brownstein

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January 21, 2015 at 10:41 AM

Sleater-Kinney still sounds tough and terrific | New Recordings

Sleater-Kinney, ‘No Cities to Love’ (Sub Pop) When your favorite band reunites after an extended break, there’s always a moment of trepidation. Will they be able to live up to perhaps unrealistic expectations? Or will the reunion turn out to have been done for the sole purpose of coasting on previous laurels? Fans of Sleater-Kinney can breathe…


Comments | More in Rock/Pop | Topics: "No Cities To Love", Carrie Brownstein, Sleater-Kinney

September 2, 2014 at 4:01 PM

Sleater-Kinney returns with new box set

Something to celebrate: a new box set from Sleater-Kinney (Sub Pop Records)

Something to celebrate: a new box set from Sleater-Kinney (Sub Pop Records)

Sleater-Kinney, the acclaimed Pacific Northwest indie trio hailed as the “Best Band in America” by “Time” magazine in 2001, left many fans disappointed when they went on what was called “indefinite hiatus” in 2006. There’s been no word of any reunion as yet. But today it was announced that a box set of the group’s recordings, “Start Together” is on its way.


All seven of Sleater-Kinney’s albums — “Sleater-Kinney,” “Call the Doctor,” “Dig Me Out,” “The Hot Rock,” “All Hands On the Bad One,” “One Beat,” and “The Woods — have been remastered for the set, which will be released on October 21 by Sub Pop. Along with standard vinyl and CD versions, there’s also a nifty limited edition box (in a run of only 3000) featuring the albums on colored vinyl, an accompanying book with previously unreleased photos, and a limited edition print. Digital editions of the albums went on sale today, September 2, at iTunes, Amazon, and Sub Pop’s Mega Mart.


Fans will be disappointed that the set contains no bonus material. But the remastering does provide a new listening experience. “For such ferocious music, it was actually a very delicate process,” Greg Calbi, who remastered the albums at Sterling Sound in New York City, said in a press release. “I found, in dealing with one of the earlier albums, that my signal path and compression, including my Burl B2 convertor, gave me a more resonant, deeper sound on the guitars than the originals. Because the band rarely, if ever, used bass, I felt that this added to the aggressiveness and power of the band overall. I believe this treatment added a subtle, yet important, dimension to the band, and I explored each of the other albums with the same intention.”


Comments | More in Rock/Pop | Topics: Carrie Brownstein, Corin Tucker, Janet Weiss