Los Angeles-based DJ/producer Flying Lotus, who plays the Neptune next week, released his fifth studio album — “You’re Dead!” — in October. It is a brief (under 39 minutes) but exploratory jaunt through multiple styles and genres that begins as a free jazz album but takes turns through electronic, bass, juke and hip-hop, with guest…More
Topic: The Neptune
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Comedian Dave Chappelle’s 7 p.m. stand-up set Monday at the Neptune Theatre was funny and intermittently tense without clear highlights, a meandering, conversational performance, which the legendary comic could at this point call his own genre. He covered topics such as race and class, poked frequent fun at the grain quinoa (“It can’t fix everything”) and chastised Seahawks fans who overestimate their influence on games’ outcomes (“You aren’t on the team”).
This is a comeback time for Chappelle, known for his aughts-era “Chappelle’s Show” sketch-comedy program, which he famously quit despite a rumored $50 million contract.More
Comedian Dave Chappelle is back in action, which on one hand is great news. Arguably the funniest person in America during the Bush II era, Chappelle went from being a stoner comic lingering in B-movies to suddenly a household name with his genius-streaked, sketch-comedy program “Chappelle’s Show” (2003-’04). He was a valuable criticizer of racism in America, and a soothsayer about hip-hop, even giving Kanye West his first TV performance. And then, he was gone.More
After adding an unprecedented fifth night at the Neptune Theatre, comedian Dave Chappelle will hold the record for the longest run at that venue (if everything goes according to plan), from Monday, Oct. 13 to Friday, October 17. How does that translate into dollars?More
When Pavement broke in with 1992’s “Slanted and Enchanted,” critics coined the term “slacker rock” to describe its underproduced, willfully imperfect sound.
Singer-guitarist Stephen Malkmus has released almost a dozen albums since — with Pavement, then the Jicks, who play The Neptune Saturday — cementing his legacy as a vital, unique American songwriter.
Yet the misnomer persists.
“Maybe it’s the tone of my voice,” he speculates via telephone from his Portland home. “It’s a little defeated, a little sarcastic… sometimes intentionally, sometimes not.”
Indeed, Malkmus talks like he sings, meandering from one subject to another with the slow, deadpan drawl and colorful vocabulary that made him a poster boy of indie rock’s golden era.
Most likely, though, it’s because he’s always made it look easy — and still does.More
From songwriting savants (Kurt Vile) to psych-pop troupes (Dr. Dog), punk stalwarts (Pissed Jeans) and noisy newcomers (Purling Hiss), Philadelphia’s music scene — at least from afar — seems to be having a moment.
With their latest, “Lost in the Dream,” The War on Drugs — headlining The Neptune Theatre Friday — continues this impressive run.More
“I’m spilling my guts up here and you guys won’t shut up.”
So went one of several tense exchanges between Sun Kil Moon’s Mark Kozelek and his audience Friday at The Neptune Theatre.
In contrast to the delicate, vulnerable nature of his songwriting, the San Francisco singer-guitarist’s disposition can be ornery, even caustic.
Friday, however, his ire was warranted.
Before he even played a note, Kozelek was fighting an uphill battle. The venue staff was asleep at the switch, unresponsive to his pleas for more light onstage and more reverb on his nylon-stringed guitar.
Misreading his frustration as contempt, some showgoers started heckling Kozelek, casting a pall of negativity over a night meant to celebrate the 47-year-old artist’s current renaissance.More
“Benji,” the devastating new LP from Sun Kil Moon — the pen name of San Francisco’s Mark Kozelek — is an early album-of-the-year contender, and a bold addition to a first-rate catalog. The singer-guitarist plays Seattle’s Neptune Friday — read Soundposts’ preview here.
Kozelek doesn’t grant interviews often, but graciously spoke via email about subjects including songwriting, concert etiquette and the recording process.More
For three decades, Mark Kozelek — who headlines The Neptune Friday — has recorded and performed under his own name, and the aliases Red House Painters and Sun Kil Moon.
The Ohio-born, San Francisco-based artist’s catalog is unique, beguiling and deep, from highlights like the Painters’ self-titled 1993 slowcore opus and the classic rock heroics of Sun Kil’s 2003 debut “Ghosts of the Great Highway” to oddities like whole albums of Modest Mouse and AC/DC covers.
In 2013 alone, he released four full-lengths, most notably a mellow, jazzy collaboration with the Bay Area instrumental rock trio Desertshore.
But “Benji,” his newest, trumps them all.More
By Joseph Sutton-Holcomb
Even with the Neptune Theatre stuffed full of people, the Sasquatch launch party didn’t feel big enough.
I get it, the launch party is designed to have a more intimate vibe than the musical blowout it’s hyping. Still, something about the bands chosen this year — all rock acts, some with varying degrees of electronica influence — didn’t get the room as psyched as they should have.More